What I read in May (2020)

Another month in isolation brings another months worth of reading to an end! I have read a variety of things and pretty much loved everything. I’m starting to think maybe I need to be more critical…!? I found myself feeling drawn to non-fiction which isn’t the norm for me, but nonetheless, the month was still dominated by fiction.

The Library of the Lost and Found, Phaedra Patrick ★★★★

It feels like a life time ago that I read this but it was only at the start of the month! A lovely, heart warming story about a librarian who attempts to discover the truth about her family’s past. Uplifting and reviving in a time of need! And if you like books about books, stories and words, you’ll love this.

Re read: Normal People, Sally Rooney ★★★☆☆

The beginning (and most of May it seems) has been dominated by the hype around Normal People. I decided to re-read this in the hope of liking it more, again, I was left with the same feeling I got the first time round. Average story documenting a strange kind of relationship – something about it doesn’t sit with me well. A nice little coming of age novel, but one that doesn’t deserve the hype, nor the literary credibility.

The Bullet Journal Method, Ryder Carroll ★★★★

I enjoyed this very much. To coincide with my increasing habit of journalling during isolation, I decided to read the definitive bullet journal guide. I found it very informative, motivating and easy to read and would recommend it to anyone who is looking to learn more about the benefits of journalling to manage anxiety. It also contains useful diagrams and examples of how to lay out your journal.

The Bridge of Little Jeremy, Indrajit Garai ★★★★

I was kindly sent a copy of this and really feel in love with the story. It is one of the most beautifully written stories I have read and I feel in love with the language. It’s told through the perspective of a twelve year old boy living in Paris, trying to save his Mother from going into financial ruin. It really tugs at your heart strings, but in all the best places. Above all, it is a story about the love and appreciation for art and seeing the beauty in the everyday.

Frozen Butterflies, Simona Grossi ★★★★

This was weird story, it had such a lingering weirdness that I couldn’t bring myself to write a review about it on my blog. The characters were directionless, possessive and obsessive and I found the relationships that Susan (the protagonist) perused worrying and strange. However, I found myself addicted to the book and couldn’t stop reading it. The discovery of a stranger’s journal starts the whole thing off and gives the reader the hook they need to read the novel. Intriguing is one word to describe it for sure.

Hot Milk, Deborah Levy ★★★★★ 

Arguably the best book I have read this year, I loved everything about it – from the story, the protagonist, Sofia, and the general ‘feeling’ the book left me with. It’s descriptive prose made me notice even the small things in my day to day life, and I felt I could immediately read it again. Set in Spain, the story follows the journey of post-graduate, restless Sofia, as she takes her mother to Spain in the hope of curing her various ailments. It is essentially a coming of age novel, but told with such sincerity and depth that it kind of blew me away.

In the Dark, Soft Earth, Frank Watson (ARC, due to be published July 2020) ★★★★

I was kindly sent this from the Plum White Press. This collection of poems explores many elements, from love, relationships, desire, to an appreciation of nature and our place in the world, but essentially draws upon the idea that everything we experience has an ancient history. The language is simple, but charged with pivotal imagery and sentiment. The images created are beautiful, and a hypnotic ode to the human experience.

Airhead: The Imperfect Art of Making News, Emily Maitlis ★★★☆☆

I found this book enjoyable, interesting and funny at times. As someone who is interested in journalism and admires Emily Maitlis for her wit and manner when interviewing, I was excited to read it. However, I felt it lacked depth. It reads as a snapshot diary documenting various interviews, but offering little in depth insight into the philosophies behind news-making and journalism. Maybe I expected to much from it, but I felt she could have gone deeper as she certainly has the capabilities to do so. However, still an interesting read.

Reading stats

Average rating – 3.8

Books read – 8

Pages read – 2, 276

What I’m currently reading

I’m currently still reading The Ragged Trousered Philanthropists but I’m so close to finishing! I’ve been reading it in-between the sixteen or so other books I have read for the past couple of months, hence why it seems like I’ve been a bit slow. I have to read it in small chunks as I’m trying to really take it in. I am actually writing a piece on it for another publication so I want to read thoroughly. I must admit, there were a few sections in the middle that dragged somewhat, but I’m currently on a bit that’s really good! I think it will be a book that ends up having a significant impact on me and the way I think.

Final thoughts

I’m actually feeling very happy with myself in terms of reading. For three years whilst I was at university, I just didn’t find the time to read for pleasure and I am so pleased that this is something I am able to do. COVID has helped obviously, but I think I would be reading just as much anyway. This month I reached 30 books read so far this year which is crazy! I sent myself a target of 50 at the start of the year and thought that was ambitious!

I’ve had a couple of really great comments and feedback recently on my reviews – saying they are really in depth and thought out which is wonderful to hear. However, it has got me thinking, am I perhaps writing reviews which are too in depth? Would it be better to adopt more of a chatty, informal style or still stick to the ‘rigorous’ type approach. I’ve tried doing the short and snappy style which I enjoy, but sometimes it doesn’t feel right for certain books. If you have any thoughts on this, please let me know!

Happy reading and best wishes as always,

Violet xxx

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Poetry Review: In the Dark, Soft Earth

Firstly, I am very grateful to Plum White Press for sending me an advanced copy of this collection, however, this does not influence my review in any way. 


Frank Watson is an American poet who has written collections including; The Dollhouse Mirror, Seas to Mulberries and One Hundred Leaves. In the Dark, Soft Earth, is his latest work, due to be published in July 2020, it describes itself as the, “poetry of love, nature, spirituality, and dreams.” You can pre-order the collection on Amazon.

The Review

Title: In the Dark, Soft Earth

Poet: Frank Watson

My rating: ★★★★

In the Dark, Soft Earth captivates the essence of human experience with the forces of nature, intense romantic relationships and draws on a sense of shared history. The prose is beautifully captivating, honest, and full of images which will light up your soul. In a way, it takes the reader on a journey of what it is to be human, through the surges of different emotional experiences tied in with nature. 

I found the collection had a significant element of flow in the way each poem bleed into the next. Some poems were more short and snappy and at first appeared to be more devoid of meaning, but viewed collectively, they had a shared meaning. This gives the collection an element of motion which I really loved, as there was something so hypnotic and dreamy about it. 

For me, despite each poem having a different feel, the collection is united by a common theme that explores the idea that our human experience and emotions are universal. Poems such as ‘shores of millennia’ illustrate this, in pointing to the idea that our feelings and thoughts have been lived before, and in this, this is how we are connected to our past,

“these rocks

of a million years

and all the fleeting life

that’s graced their shores…”

shores of millennia

The idea that love is a timeless human emotion is explored captivatingly in this collection, with drawing upon images of the history of the earth. When we walk, when we love and when we explore the earth – we are doing something with an ancient history. I loved this image and feeling that Watson conveys and its sense of grounding of the human experience is unique and wonderfully demonstrated.

Photo by Kenneth Carpina on Pexels.com

In ‘continents’ we really get the exploration of this theme and how nature, love and history are all tied together. The feeling of love is likened to a, “sensual sea” which has the ability to carry, “across the continents” and, “into centuries, / of cracked earth / with stories told..”. I love the beauty of this image and the sense of timelessness from it – it again, points to the idea that human experience is historic.

The theme of nature is as persistent as love itself, as a reader you really get the sense that Watson is enthralled by it. Nature is the driving force behind his portrayal of love and the ‘soft’ element of earth. In making such a connection between love, nature and human experience, it feels like Watson implies that nature itself can be a carrier of emotions – and this is such a lovely sentiment. I think partly, nature is so heavily drawn upon as it makes readers re-consider their perceptions and connections to the world.

Aside from the interconnectedness of themes drawn upon in this collection, the writing itself pays homage to the sense of effortlessness in which we can all feel and have the capacity for love. The flow is beautiful, crafted with a simplicity of language and littered with complex images. Some poems are almost lyrical and roll of the tongue which makes the collection entirely digestible. Watson uses little punctuation in many of his poems which creates a kind of breathlessness  – perhaps mirroring the intensity of human emotions.

I found the reading experience itself to be incredibly addictive, soothing in parts, but also cutting in places – especially towards the end which features the darker elements of human experience. It feels as though the collection is meant to get increasingly darker as you read on, to demonstrate the cycle of life and renew an appreciation of the ‘soft’ parts of the earth. 

I really enjoyed the collection as a whole and felt touched by the portrayal of love being intertwined with the forces of nature. However, I struggled with the end in getting to grips with some of the images about death and religion – I understand it had to end on this to convey ‘the life cycle’ theme, but I felt this part was disconnected to the rest. The heavy, religious images didn’t seem to match up with the delicacy of imagery used for the majority of the collection. 

Image: Pieter Bruegel, Tower of Babel, 1563

Also, this part increasingly uses historic works of art and religious pieces including the “Tower of Babel” by Pieter Bruegel and “The World” by Bonifacio Bembo. Although these point to the element of shared, historical experience, I didn’t think they added to the collection. For me, reading poetry is an individual experience about creating your own images from interpreting the language. In providing images, I found it took away from this. However, this said, perhaps this is more of a personal preference. 

All in all, I enjoyed reading this collection. I found the way Watson captured the human experience enlightening and beautiful, and the images of nature really resonated with me. The language is simple, but the images are complex and enduring. It is a celebration of life itself and everything in between. The simplicity of language and limited use of punctuation enabled a certain rawness to be conveyed – which I liked. For me, this is important, as poetry has to be honest and accessible, so it can reach people and touch them in various ways. 

In a time of great turbulence, anxiety, and concern, this collection restored my faith in humanity and our capacity to appreciate the world. It will soothe your soul and carry you to other places. Its breathless sense of urgency will charge your present with the instinctive human necessity to love, be grounded to the past, and have an abundant appreciation for nature. 

Beautiful to read: a timeless assessment of what it means to be a human in a world with an ancient past, charged with an undercurrent of urgency.

My favourite poem in the collection,

“in the garden of dreams

a little orchid bathes

unseen in the rain

violets

in the midnight scent –

stars in her eyes

a wall within

a wall where all

the secrets grow

in a world of fragments

we piece it together

in the walls we make

gardens

Thanks again to Plum White Press for sending me a copy!

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