Set in a coastal Irish town, Broken Harbor follows the unraveling of an attempted triple murder that occurred in a seemingly perfect family home. French frames the murder through the eyes of one prominent suspect, however, it all becomes far more complex as the novel progresses.
Not only is the crime not what is seems, the area itself and all the promised dreams of suburbia it was meant to fulfill to middle-class newly-wed couples, is far from the lived reality. On the surface, the lives of Patrick and Jenny Spain always appeared to be happy, thriving and successful. But behind closed doors there appeared to be something far more sinister lurking.
A group of lifelong friends encompass the parameters of the novel as memories from the past begin to haunt the present. Not all that glitters is gold for the lives of Patrick and Jenny Spain.
I very much enjoyed this novel and was genuinely surprised at the twist. I found myself invested in the lives of the Spain’s and the type of life they appeared to suggest to their friends and family. I will definitely be reading more of French.
Murakami’s latest novel follows the life of a Japanese, recently divorced painter who abandons his life in Tokyo, for a secluded house in the mountains of former famous painter, Tomohiko Amada.
In this move, the painter hopes his immersion in rural life and the home of such a former successful painter, will transform his own work to have more meaning. Tired of painting the same souless commissioned portraits, he hopes to create works of art with far more depth and understanding.
He soon makes friends with his neighbor across the hills who lives in a glaringly big mansion – which has parallels to Gatsby’s manor across from Nick Caraway in The Great Gatsby. Murakami has regularly stated that he draws influence from F Scott Fitzgerald; and in many ways this novel does in the discussion of wealth and beauty which is contrasted with moderate simplicity.
A strange series of events involving the discovery of an ancient well, a hidden historical painting in Amanda’s attic and the disappearance of a young girl change the unassuming painter’s life forever.
This new novel from Murakami is arguably one of his best, where he appears to return to his earlier style featuring a single protagonist and an acute eye for detail and synchronous beauty. I loved this book but I am biased towards Murakami as always.
Caught between packing up my life in York and finishing my degree, it has taken me a while to sit down and write this – but I haven’t stopped reading (quite the opposite!) This is what I read between August and September.
Featuring: The Help, Gone Girl, The Goldfinch, Normal People, Dance, Dance Dance and The Wolves of Leninsky Prospect.
I spent my first, initial bout of freedom with The Help, a book I had been meaning to read for years. Having only read about its reception after finishing the book, I was shocked to discover the critical reviews and accusations of ‘white washing’ surrounding Stockett’s depiction of the black maids. Upon reading it, I found quite the opposite. It was so refreshing to read a book set during the Civil Rights movement which was centered on depicting the struggle through the eyes and experience of the marginalized.
The novel is told through the experience of black, female maids working in Mississippi whilst the Civil Rights movement begins. Another perspective offered is through Eugenia Skeeter, an aspiring, young white journalist. Through her attachment to her own previous maid, Constantine, it becomes her ambition to write a book portraying the experiences of black maids in Mississippi. Through her lens, we get an insight into the difficulties of writing about a ‘taboo’ subject in an era still favoring the use of black maids in white households, the segregation and pull of white supremacy.
Stockett herself, makes no claim to be documenting the entirety of black maid experience. However, she draws upon her own experience having grown up in Mississippi during the 1960s – she was also close to an African American domestic worker – which formed the inspiration for this novel.
I loved this novel and thought it was incredibly eye opening and cleverly written. (5/5)
I found myself fully immersed in this novel as soon as I started reading it. I was gripped towards the two leading characters, Amy and Nick Dunne. Their relationship and lives are told through alternating chapters, featuring their perspectives of each other. The reader is left not knowing who is the ‘mad’ one in the relationship and who is responsible for the series of events which escalate.
The beginning of the book outlines their rather chaotic and different lives and questions how they have ended up together in the first place. It is interesting how Flyn has paralleled the two alternative perspectives of the same relationship to the point where the reader cannot side with either perpetrator.
Up until the point where Amy Dunne goes missing, I was hooked. But when the novel begins to shift towards its ending, I lost interest. I felt the initial complexity of it was lost and the ending was rather dull. I was left with the impression that the author had gotten bored with it and wanted to quickly wrap it up.
These few words I’m about to write about The Goldfinch, will never pay homage to its genius (I am thinking about writing a separate post on it altogether), but I would just like to say I think it is one of the best novels I have ever read. Not only is it written beautifully, but it draws on all the essential assets of being human in the modern age.
It plays on what is is to be human and how we are all, in some way, suspect to being driven by the fallibility of beauty, art and illusion. Featuring the 1654 painting by Carel Fabritius, which is stolen by the protagonist, Theodore Decker, during an explosion in an art gallery, each aspect of the story comes back to the painting and its central, symbolic message. There is beauty in everything but is is all essentially an illusion, and not necessarily worth saving.
It is also deals with the imperfection and fallibility of human experience, against the backdrop of urban America. Theodore experiences the trials and tribulations of an adolescent growing up in modern America. It touches on the sensitive, human issues of our times in the most beautiful way.
The extent of character development Tartt is able to create in this book blew me away. Although Theo was flawed, often wrong and subject to countless stupidity, I was always drawn to him and I felt bound to him in a way I never have to any other fictional character.
For all the hype surrounding this book, and the claims it is the next D.H Lawrence or J.D Salinger, I failed to see how it could be comparable. I found it to be a good book, but I am unsure whether it is one of the best of our times.
It explores the lives of two main characters growing up in Dublin, Ireland. The two protagonists, Marianne and Connell, find themselves always drawn back to each other, whether by a platonic or sexual relationship, which appears to constantly alternate. It draws upon wider issues of class in the contexts of ‘modern’ relationships and the barriers that can remain between them.
Their lives are complicated, as all young adults’ are. I did I feel connected to them and the novel in general, but it hasn’t really resonated with me in the same way as it has with other people.
The relationship between the two protagonists is explored against a backdrop of the class inequalities in modern Ireland. However much I appreciate the sentiment and the characterization of the protagonist, I cannot quite fathom why it has had such a great reception. 3/5
I go through periods where I absolutely devour Murakami and others where I don’t touch his books. These few months were the former.
I will be biased as Murakami is by far one of my favourite authors but I really did love this book. The novel is told through the protagonist whom is struggling to acquire work as a commercial writer. A sense of restlessness seems to follow him around, so much so that he always ends up at the same strange, Dolphin Hotel; the place where two worlds meet. Strangely enough though, the protagonist is never named. Perhaps, like the premise of the book, he is not known in the present world? Who knows.
Like most Murakami novels, there is not just the present world, but an abundance of worlds where characters lose and find themselves. Although technically a sequel to AWild Sheep Chase, I think this novel still works as a stand-alone if you are familiar with Murakami’s writing.
The novel deals with sexuality, friendship, love and loss through the typical sense of strangeness and restlessness which appears in most of Murakami’s novels. It also contains a subtle critique of some elements of modernity, including the wrath of capitalism and how it can be a force for destruction. 4/5
I found this book whilst browsing through the proof copy bookshelf in the shop where I work. I was drawn to it as it was written by an author I had never heard of. Sarah Armstrong actually lives in the same town as I do, so I naturally wanted to become more familiar with her work.
I instantly fell in love with the feel and intrigue of this book and learnt a lot about life in Soviet Moscow in the 1970s. The book follows the main protagonist, Martha as she moves to Moscow with her new husband Kit, who is effectively, her gay best friend. Martha moves to Moscow in the hope to start a better life, having been sent away from Cambridge University for distributing left-wing leaflets.
Martha attempts to fully immerse herself into the Moscow life in her attempt to learn the language and make friends. But she is unaware of the dangers of her actions and the spy-like consequences of her actions. Life in Moscow is never quite what she imagined.
Armstrong depicts the Soviet state in the 1970s with startling realism. Like Martha, I too was lured in by the beauty, fascination and sense of the unknown that Moscow seemed to portray. The novel always feels slightly uncomfortable, but all the while, utterly fascinating and alluring.
I was very pleased to find out there is a sequel is in the works! 4/5