Book Review: Half a World Away

I have been a bit absent with book reviews – they seem a bit trivial at the moment with everything going on. But I guess people still want to read! But I’m back with another good one! I had high expectations for this and wasn’t disappointed.

Synopsis from Goodreads

“Strangers living worlds apart.
Strangers with nothing in common.

But it wasn’t always that way…

Kerry Hayes is single mum, living on a tough south London estate. She provides for her son by cleaning houses she could never hope to afford. Taken into care as a child, Kerry cannot ever forget her past.

Noah Martineau is a successful barrister with a beautiful wife, daughter and home in fashionable Primrose Hill. Adopted as a child, Noah always looks forward, never back.

When Kerry reaches out to the sibling she lost on the day they were torn apart as children, she sets in motion a chain of events that will have life-changing consequences for them both.”

Review

Title: Half a World Away

Author: Mike Gayle

Genres: Fiction, urban fiction, domestic fiction

My rating: ★★★★

Half a World Away is narrated between two protagonists – Kerry, who lives in a tower block in south London, and Noah who has a large house in Primrose Hill. I think this dual narration really serves to reinforce the dividing lines between them.

Kerry and her son, Kian, live their day to day lives struggling to make ends meet. Kerry works long hours cleaning wealthy houses in London, and is a full time, single Mum. The reader soon finds out that Kerry spent a significant amount of time in care, after her Mother struggled with parenting and various forms of addiction.

As a young child, Kerry spent most of her childhood caring for her younger brother, Noah. However, they were separated when Noah was adopted, whilst Kerry grew up in a care home. Ever since, Kerry has been longing for the day when they can reunite. From the age of eighteen, the age where legally you are allowed to request contact with your birth family, she writes Noah letters in the hope he will make contact with her. These letters are scattered throughout the book and add a certain rawness to Kerry’s emotions, by illustrating her life long hope of having her brother in her life again.

Noah’s life is very different. Although he’s adopted, he never really faces up to his former past. There is a lot he doesn’t know about his previous circumstances, and spends a lot of time shying away from it. He is adopted into a middle-class, privileged family and reaps the benefits of this lifestyle. As a barrister his life has gone in the opposite direction in comparison to his sister, Kerry. One day a letter from Kerry manages to reach him directly, which turns his world upside down. He never knew he had a sister and now he has to decide whether to recover his past life. Torn between a relationship breakdown with his wife, fraught conversations with his parents about his birth family, and his own personal struggles, Noah has to make a decision about the direction of the next stage in his life.

Image: Forbes. Street in Primrose Hill, London.

I thought this book was incredibly clever as it embodies the dilemma’s adopted, and care leavers face when deciding whether they want to contact their birth family. I particularly resonated with the feelings of both characters as I was adopted myself. I definitely empathized with both Kerry and Noah, as each character swung back and forth between wanting to know about their past, and worrying they’ll find out something they don’t want to hear.

Additionally, it explores the concept of “family” and what it really means. For Noah, family is definitely not as much about blood relations but who raises you – nonetheless, this doesn’t completely stifle his curiosity. For Kerry, she had always longed for that contact with her brother which suggests she felt that connection to a blood relative. It’s different for everybody, but the book raises the questions a person has to go through when wanting to find out about their birth family. It can put adoptive parents in an awkward place – luckily, Noah’s parents are very understanding and encourage him to learn more about his past.

Above all, class and difference in opportunity is at the heart of this book which highlights how time in care can influence your future outcomes. For most care leavers, Kerry’s situation is more of the norm. Care leavers are more likely to develop mental health issues, turn to addictive substances, live in poverty and are less likely to attend university. Having characters which are two polar opposites – really symbolizes this divide in opportunity that care leavers face. With the dual narration, the reader really gets an in depth insight into how different each siblings lives really are.

They also contrast as they had different fathers but shared the same, white mother. Kerry is a white woman, whilst Noah’s father was a black man. When the narration is told through Noah, we get an insight into his experience of this and difficult conversations he has had, having grown up with a white adopted family. People often had their queries over the family situation and wanted to know more. However, the way Gayle intertwines issues of class, race and disruption in early life – really reinforces the idea that society is naturally unequal. This is an ongoing, brutal reality of the modern world and symbolized so eloquently by paralleling two characters from such different backgrounds.

Image: Joe Newman for the Daily Mail. South London tower block.

Kerry’s perspective is an interesting one – she worries about meeting up with her brother because she lives in a council estate, doesn’t have much money and has ‘scruffy clothes.’ Kian is exposed to bullying at school because unlike his peers, he doesn’t have the latest trainers or PlayStation game. Her flat is tiny, but Kerry has put her heart and soul into is over the years to make it as nice as possible. Differences between the two siblings become eroded over the course of the book as they discover how similar they really are as people.

This book is laced with sadness (which I can’t go into for giving the plot away) but its execution highlights the value of time and how precious it is. Nearly twenty years have passed between Noah and Kerry, and the reader really hopes they can rekindle their relationship. But like all care and adoption situations, it’s awkward at first, messy and complicated. This is demonstrated so honestly in this book and I really take my hat off to Gayle, as it is hard to portray the realities of these feelings in a novel.

I loved this book, as it was easy to read but was a poignant story told with honesty and a huge amount of relatability. I think this is the first adult novel I’ve read that looks at the impact of being in care, and I really appreciate it just for doing that alone. The characters are crafted so well, each narration is told in such a down to earth and chatty style, that as a reader, I really felt I knew them.

However, it’s not a ‘beautiful’ novel as such, there’s no messing about. As someone who loves a bit of literary fiction and use of flowery language – there is none of this here. The language and prose is nothing out of the ordinary. Rather, maybe the rawness of the language is the entire point. Emotions are highly charged, and it would be wrong to cover these in littered metaphors and incomprehensible symbolism. Gayle gets to the point, and rightly so.

An honest, down to earth, and heartfelt story which illustrates the variability of outcomes that result from time spent in care, and having a disturbed upbringing. This book is littered with warmth and uplift but simultaneously, endless sadness and regret. It will definitely move you and re-asses your value of time, loved ones and family relationships.

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Book Review: Airhead ~ The Imperfect Art of Making News

Image: Deadline

Emily Maitlis is rather topical in the UK at the moment because of her framing of the Dominic Cummings debate on Newsnight. Maitlis opened the current affairs program with,

“…He made those who struggled to keep the rules feel like fools and has allowed many more to assume the can now flout them.

The Prime Minister knows all this but despite the resignation of one minister, growing unease from his back benchers, the dramatic early warning from the polls and a deep national disquiet – Boris Johnson has chosen to ignore it…    

(You can see the full opening statement here.) In my opinion, her statement did not break “impartiality” regulations but there we go, some are always bound to think otherwise.

However, funnily enough I was actually reading her book before this started. I’ve always admired Emily Maitlis for her approach to broadcasting and this was largely inspired by her brilliant interview with Prince Andrew during the Epstein scandal last year. As someone who wants to go into journalism, I couldn’t wait to read her book.

Review

Title: Airhead: The Imperfect Art of Making News

Author: Emily Maitlis, British journalist and presenter of Newsnight

Genre: Non-fiction, biography

My rating: ★★★☆☆

Maitlis’ Airhead is premised as an autobiography of her experience as one of the UK’s leading British broadcasters. In hosting the current affairs program, Newsnight, she is often at the forefront of breaking news. This book documents a range of interviews she has conducted, from President Donald Trump, to the Dalai Lama. Each chapter is structured as a specific interview, or peppered with a particular experience in her career – such as when the BBC got arrested in Cuba, or when she took her twelve year old son to see the Chippendale’s in a Las Vegas strip show.

Although the interviews were interesting to read, I found they were largely driven by pure narrative, and each chapter had the same structure and format. In a sense, it was quite repetitive and lacked substance. Some chapters were better than others, and I did enjoy reading her experience as the interviewer – one that stands out is the interview with former British Prime Minister, Theresa May, days after the Grenfell tower tragedy. Her writing reveals to the reader that indeed, no interview is ever perfect and a lot of the time, due to constraints they are haphazardly glued together in the moment, for the purpose of fulfilling the “breaking news” agenda.

Before reading this I thought it would focus more on the ins and outs of news making and the philosophies of journalism itself. By this, I mean who does news making aim to please, the morals and ethics of breaking news reporting, and how instant reporting via social media has undergone a revolution in recent years. Also, the impact that breaking news has on history making and our conception of events. These are all things Maitlis has been in the thick of over the years, and I was therefore, surprised they weren’t really discussed. Perhaps I expected too much?

Maitlis integrates some of this ever so slightly, but only in the final chapter,

“A huge amount of thought goes into what we do. Interpreting moments of history whilst they are still unfolding is both deeply rewarding and endlessly challenging. Television news is messy. It gets things wrong. It is imperfect – sometimes laughably so – and sometimes you just nail it.”

Emily Maitlis, Airhead

I felt that she had saved the best until last – this reflection on the art of making news should have framed the entire book, and she could have gone deeper into this and been more selective with the amount of interviews included.

The book is marketed as an “autobiography” but it certainly doesn’t read like one, we don’t receive details of her early life, childhood, or how she got into journalism, just snapshots of favourite moments in her career that when reading, feels more like a diary entry. Don’t get me wrong, the interviews were interesting and funny at times, but I found the book lacked depth she could easily convey, considering her remarkable career.

There’s a lot to be said about news making and the ethics of broadcasting, and Maitlis is one of the best people to discuss it, but it’s a shame she didn’t make this more of a feature, perhaps she is saving it for another title!

All in all, this is an interesting book and a worthwhile read for anyone that is interested in broadcast journalism and wants to read about it from her perspective. But don’t expect too much from the sub title, “the imperfect art of making news” as this isn’t given the attention it deserves.

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What I read in May (2020)

Another month in isolation brings another months worth of reading to an end! I have read a variety of things and pretty much loved everything. I’m starting to think maybe I need to be more critical…!? I found myself feeling drawn to non-fiction which isn’t the norm for me, but nonetheless, the month was still dominated by fiction.

The Library of the Lost and Found, Phaedra Patrick ★★★★

It feels like a life time ago that I read this but it was only at the start of the month! A lovely, heart warming story about a librarian who attempts to discover the truth about her family’s past. Uplifting and reviving in a time of need! And if you like books about books, stories and words, you’ll love this.

Re read: Normal People, Sally Rooney ★★★☆☆

The beginning (and most of May it seems) has been dominated by the hype around Normal People. I decided to re-read this in the hope of liking it more, again, I was left with the same feeling I got the first time round. Average story documenting a strange kind of relationship – something about it doesn’t sit with me well. A nice little coming of age novel, but one that doesn’t deserve the hype, nor the literary credibility.

The Bullet Journal Method, Ryder Carroll ★★★★

I enjoyed this very much. To coincide with my increasing habit of journalling during isolation, I decided to read the definitive bullet journal guide. I found it very informative, motivating and easy to read and would recommend it to anyone who is looking to learn more about the benefits of journalling to manage anxiety. It also contains useful diagrams and examples of how to lay out your journal.

The Bridge of Little Jeremy, Indrajit Garai ★★★★

I was kindly sent a copy of this and really feel in love with the story. It is one of the most beautifully written stories I have read and I feel in love with the language. It’s told through the perspective of a twelve year old boy living in Paris, trying to save his Mother from going into financial ruin. It really tugs at your heart strings, but in all the best places. Above all, it is a story about the love and appreciation for art and seeing the beauty in the everyday.

Frozen Butterflies, Simona Grossi ★★★★

This was weird story, it had such a lingering weirdness that I couldn’t bring myself to write a review about it on my blog. The characters were directionless, possessive and obsessive and I found the relationships that Susan (the protagonist) perused worrying and strange. However, I found myself addicted to the book and couldn’t stop reading it. The discovery of a stranger’s journal starts the whole thing off and gives the reader the hook they need to read the novel. Intriguing is one word to describe it for sure.

Hot Milk, Deborah Levy ★★★★★ 

Arguably the best book I have read this year, I loved everything about it – from the story, the protagonist, Sofia, and the general ‘feeling’ the book left me with. It’s descriptive prose made me notice even the small things in my day to day life, and I felt I could immediately read it again. Set in Spain, the story follows the journey of post-graduate, restless Sofia, as she takes her mother to Spain in the hope of curing her various ailments. It is essentially a coming of age novel, but told with such sincerity and depth that it kind of blew me away.

In the Dark, Soft Earth, Frank Watson (ARC, due to be published July 2020) ★★★★

I was kindly sent this from the Plum White Press. This collection of poems explores many elements, from love, relationships, desire, to an appreciation of nature and our place in the world, but essentially draws upon the idea that everything we experience has an ancient history. The language is simple, but charged with pivotal imagery and sentiment. The images created are beautiful, and a hypnotic ode to the human experience.

Airhead: The Imperfect Art of Making News, Emily Maitlis ★★★☆☆

I found this book enjoyable, interesting and funny at times. As someone who is interested in journalism and admires Emily Maitlis for her wit and manner when interviewing, I was excited to read it. However, I felt it lacked depth. It reads as a snapshot diary documenting various interviews, but offering little in depth insight into the philosophies behind news-making and journalism. Maybe I expected to much from it, but I felt she could have gone deeper as she certainly has the capabilities to do so. However, still an interesting read.

Reading stats

Average rating – 3.8

Books read – 8

Pages read – 2, 276

What I’m currently reading

I’m currently still reading The Ragged Trousered Philanthropists but I’m so close to finishing! I’ve been reading it in-between the sixteen or so other books I have read for the past couple of months, hence why it seems like I’ve been a bit slow. I have to read it in small chunks as I’m trying to really take it in. I am actually writing a piece on it for another publication so I want to read thoroughly. I must admit, there were a few sections in the middle that dragged somewhat, but I’m currently on a bit that’s really good! I think it will be a book that ends up having a significant impact on me and the way I think.

Final thoughts

I’m actually feeling very happy with myself in terms of reading. For three years whilst I was at university, I just didn’t find the time to read for pleasure and I am so pleased that this is something I am able to do. COVID has helped obviously, but I think I would be reading just as much anyway. This month I reached 30 books read so far this year which is crazy! I sent myself a target of 50 at the start of the year and thought that was ambitious!

I’ve had a couple of really great comments and feedback recently on my reviews – saying they are really in depth and thought out which is wonderful to hear. However, it has got me thinking, am I perhaps writing reviews which are too in depth? Would it be better to adopt more of a chatty, informal style or still stick to the ‘rigorous’ type approach. I’ve tried doing the short and snappy style which I enjoy, but sometimes it doesn’t feel right for certain books. If you have any thoughts on this, please let me know!

Happy reading and best wishes as always,

Violet xxx

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Poetry Review: In the Dark, Soft Earth

Firstly, I am very grateful to Plum White Press for sending me an advanced copy of this collection, however, this does not influence my review in any way. 


Frank Watson is an American poet who has written collections including; The Dollhouse Mirror, Seas to Mulberries and One Hundred Leaves. In the Dark, Soft Earth, is his latest work, due to be published in July 2020, it describes itself as the, “poetry of love, nature, spirituality, and dreams.” You can pre-order the collection on Amazon.

The Review

Title: In the Dark, Soft Earth

Poet: Frank Watson

My rating: ★★★★

In the Dark, Soft Earth captivates the essence of human experience with the forces of nature, intense romantic relationships and draws on a sense of shared history. The prose is beautifully captivating, honest, and full of images which will light up your soul. In a way, it takes the reader on a journey of what it is to be human, through the surges of different emotional experiences tied in with nature. 

I found the collection had a significant element of flow in the way each poem bleed into the next. Some poems were more short and snappy and at first appeared to be more devoid of meaning, but viewed collectively, they had a shared meaning. This gives the collection an element of motion which I really loved, as there was something so hypnotic and dreamy about it. 

For me, despite each poem having a different feel, the collection is united by a common theme that explores the idea that our human experience and emotions are universal. Poems such as ‘shores of millennia’ illustrate this, in pointing to the idea that our feelings and thoughts have been lived before, and in this, this is how we are connected to our past,

“these rocks

of a million years

and all the fleeting life

that’s graced their shores…”

shores of millennia

The idea that love is a timeless human emotion is explored captivatingly in this collection, with drawing upon images of the history of the earth. When we walk, when we love and when we explore the earth – we are doing something with an ancient history. I loved this image and feeling that Watson conveys and its sense of grounding of the human experience is unique and wonderfully demonstrated.

Photo by Kenneth Carpina on Pexels.com

In ‘continents’ we really get the exploration of this theme and how nature, love and history are all tied together. The feeling of love is likened to a, “sensual sea” which has the ability to carry, “across the continents” and, “into centuries, / of cracked earth / with stories told..”. I love the beauty of this image and the sense of timelessness from it – it again, points to the idea that human experience is historic.

The theme of nature is as persistent as love itself, as a reader you really get the sense that Watson is enthralled by it. Nature is the driving force behind his portrayal of love and the ‘soft’ element of earth. In making such a connection between love, nature and human experience, it feels like Watson implies that nature itself can be a carrier of emotions – and this is such a lovely sentiment. I think partly, nature is so heavily drawn upon as it makes readers re-consider their perceptions and connections to the world.

Aside from the interconnectedness of themes drawn upon in this collection, the writing itself pays homage to the sense of effortlessness in which we can all feel and have the capacity for love. The flow is beautiful, crafted with a simplicity of language and littered with complex images. Some poems are almost lyrical and roll of the tongue which makes the collection entirely digestible. Watson uses little punctuation in many of his poems which creates a kind of breathlessness  – perhaps mirroring the intensity of human emotions.

I found the reading experience itself to be incredibly addictive, soothing in parts, but also cutting in places – especially towards the end which features the darker elements of human experience. It feels as though the collection is meant to get increasingly darker as you read on, to demonstrate the cycle of life and renew an appreciation of the ‘soft’ parts of the earth. 

I really enjoyed the collection as a whole and felt touched by the portrayal of love being intertwined with the forces of nature. However, I struggled with the end in getting to grips with some of the images about death and religion – I understand it had to end on this to convey ‘the life cycle’ theme, but I felt this part was disconnected to the rest. The heavy, religious images didn’t seem to match up with the delicacy of imagery used for the majority of the collection. 

Image: Pieter Bruegel, Tower of Babel, 1563

Also, this part increasingly uses historic works of art and religious pieces including the “Tower of Babel” by Pieter Bruegel and “The World” by Bonifacio Bembo. Although these point to the element of shared, historical experience, I didn’t think they added to the collection. For me, reading poetry is an individual experience about creating your own images from interpreting the language. In providing images, I found it took away from this. However, this said, perhaps this is more of a personal preference. 

All in all, I enjoyed reading this collection. I found the way Watson captured the human experience enlightening and beautiful, and the images of nature really resonated with me. The language is simple, but the images are complex and enduring. It is a celebration of life itself and everything in between. The simplicity of language and limited use of punctuation enabled a certain rawness to be conveyed – which I liked. For me, this is important, as poetry has to be honest and accessible, so it can reach people and touch them in various ways. 

In a time of great turbulence, anxiety, and concern, this collection restored my faith in humanity and our capacity to appreciate the world. It will soothe your soul and carry you to other places. Its breathless sense of urgency will charge your present with the instinctive human necessity to love, be grounded to the past, and have an abundant appreciation for nature. 

Beautiful to read: a timeless assessment of what it means to be a human in a world with an ancient past, charged with an undercurrent of urgency.

My favourite poem in the collection,

“in the garden of dreams

a little orchid bathes

unseen in the rain

violets

in the midnight scent –

stars in her eyes

a wall within

a wall where all

the secrets grow

in a world of fragments

we piece it together

in the walls we make

gardens

Thanks again to Plum White Press for sending me a copy!

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Book Review: Hot Milk

Deborah Levy is an author I have wanted to try for a long time, I heard about Hot Milk from listening to a Penguin Books podcast. It was one of those books that I wanted to last for as long as possible. I was disappointed when it ended but immediately felt I could read it again! Not many books do that, so I figured it must be something special.

Synopsis from Goodreads

“Sofia, a young anthropologist, has spent much of her life trying to solve the mystery of her mother’s unexplainable illness. She’s frustrated with Rose and her constant complaints but utterly relieved to be called to abandon her own disappointing fledgling adult life. She and Rose travel to the searing, arid coast of southern Spain to see a famous consultant, Dr. Gomez—their very last chance—in the hope that he might cure Rose’s unpredictable limb paralysis, but Dr. Gomez has strange methods that seem to have little to do with physical medicine, and as the treatment progresses, Rose’s illness becomes increasingly baffling…”

Review

Title: Hot Milk

Author: Deborah Levy

Genres: Fiction, literary fiction

My rating:  ★★★★★ 

Do not be under any illusions, this is a simple story at first glance, but one which will leave an impact forever. The plot is neat and unassuming, told by a young anthropology graduate as she takes her mother to Spain in search for treatments to cure her various ailments.

Sofia, who is half Greek, half English, for me was an instantly likable protagonist. She’s 25, struggling to know what to do with her life and feels guilty for telling superiors she works in a Coffee House, sleeping above the storage room. She has little savings and a first class degree she doesn’t know what to do with. However, the way she sees the world and the way Levy describes it was enough to take my breath away. Whether it’s the influence of an anthropological background or just the way her mind works, Sofia sees the beautify in everyday life and her surroundings.

Partly, in going to Spain with her mother, Rose, Sofia is prolonging the realities of getting her life started. In between intense, romantic affairs, she has a yearning to complete her academic career but at the same time, likes to blissfully float through life.

“All summer, I had been moon-walking in the digital Milky Way. It’s calm there. But I am not calm. My mind is like the edge of their faintly glowing paths running across the screen, I have been making footprints in the dust and glitter of the virtual universe. It never occurred to me that, like the medusa, technology stares back and that its gaze might have petrified me, made me fearful to come down, down to Earth, where all the hard stuff happens, down to the check-out tills and the barcodes and the too many words for profit and the not enough words for pain.”

p.216

Sofia has always put her life on the line to help her mother, who she is practically a full time career for. She has abandoned her PhD and is living her life aimlessly. The novel begins with the smashing of her beloved laptop screen, which she tells readers, has the entirety of her life on it. Her mother frequently criticizes her and fails to see her merits, thus their relationship is fraught and laced with tension.

Levy creates an inversion of the typical mother-daughter relationship, as Sofia is the mother, caring and nurturing, and Rose abandons her daughter in more ways than one. It’s a portrayal of the mother-daughter bond, but unlike many others.

The title, Hot Milk, feels like it is drawing upon this “interior life” (Erica Wagner, The Guardian, 2016) of that relationship. ‘Hot Milk’ may be symbolic of the life force bond as breast milk (often hot) is the nurturer of new life and physical connection between mother and daughter. However, it could also relate to Sofia’s life as a barista, importantly, when foaming milk to make artisan coffee, the milk must be “hot” but never boiling – as this will create acidity, ruining the taste of the coffee. Hot milk therefore, could be symbolic of the importance of clarity – be that in relationships, life or other meanings. Furthermore, breast feeding is continually depicted with Sofia’s step mother feeding her sister, it feels apt that Levy draws upon these images to make poignant anecdotes on the mother-daughter relationship.

Another key bit of symbolism are the use of the ‘medusa’s’ – the local term for jellyfish. Sofia likes to frequent the sea near their rented apartment and often gets stung by jellyfish – she does this so often that she actually takes the life guard who treats these stings, for a lover. The significance of drawing upon the medusa didn’t come to me at first, but now it seems more significant. The medusa stings are likely to represent her fraught relationship with her mother, as the stings are something she endures again and again, eventually barely feeling any pain. We always tend to do more for those we love, even if they hurt us, don’t we?

Additionally, Rose’s condition eventually eats Sofia alive as she realises she cannot permanently put her life on hold, the frequent stings are a reminder of this power her mother has over her and the pain she has inflicted. Finally, there is also the sexual element, her stings are drawn upon as being a point of pleasure in sexual encounters. The sting in itself, could represent the sudden pang of sexual desire.

Levy creates a prose which is poetic and will change the way you view your own surroundings long after reading the final page. It makes the reading experience effortless and lyrical – in some passages, it reads like pure poetry.

This book had everything I could possibly want in a reading experience. The prose is beautiful, the protagonist intriguing, and the story simple yet alluring. It deals with a number of themes but essentially feels like a coming of age novel. It’s above all, a story that documents an individual’s self discovery and a, “powerful novel of interior life,” the reader truly becomes a fly on the wall in Sofia’s small, but intricate world.

Every so often everyone comes across a special book which has a lingering impact on them – and for me, this is one of those. During the reading process, I felt the density and beauty of the language sink into me as I became invested in Sofia’s life. The description made me want to see life in a different way and appreciate my surroundings with new vigor. I feel like Levy could make even a blank wall seem appealing!

Hours after finishing, I could still feel the novel’s presence, it made the perception of my own world more acute, and I found myself evaluating how everyday things truly look. I feel like this novel and its impact will always be at the back of my subconscious, luring me in and waiting to be read again.

My favourite quote: “I am overflowing like coffee leaking from a paper cup. I wonder, shall I make myself smaller? Do I have enough space on Earth to make myself less?” (p.202)