‘The Discomfort of Evening’: A Disturbing but Compelling Read


The Discomfort of Evening is a novel like no other. In many ways, it is evocative of the traditional literary fiction genre. Told through the perspective of Jas, a 10-year-old girl — it is highly character-driven. 

My qualms with the novel lay in how it portrays discomfort — as it goes beyond certain (usually) respected boundaries. As a result, it may make many readers uncomfortable, with often, little warning. However, it makes for a truly compelling and addictive read. But maybe that’s precisely because it is so uncomfortable and strange? In the same way that many people are compelled to read and watch true crime stories — as readers, we can’t help but read on further despite our raging sense of discomfort. 

All in all — the clue is in the title for this one. In a nutshell, The Discomfort of Evening is a strange novel with a very strange feeling. 


About the Book 

A Discomfort of Evening paints a picture of rural life in the Netherlands, told through the perspective of a 10-year-old girl, Jas. She lives on her family’s farm with her two siblings and parents. One day — pretty early on in the novel — her brother tragically dies, after that, the family dynamic suddenly changes. 

As the whole family struggles to come to terms with death, havoc and strangeness are let loose. The parents start arguing and Jas, as the narrator, lets us know how concerned she is about their lack of love between each other — she picks up on every change. The family as a whole goes down a dark path. 

This culminates in a case of foot and mouth which is discovered on the farm, resulting in the culling of all livestock which not only damages the family business and their livelihood — but is another reminder of the persistence of death. In between this, Jas and her siblings have to face the changing pace of her father’s religious belief. Even though she was used to growing up in a religious household, as these events unfold, her father becomes increasingly driven by religion at all costs. 

And of course, the children rebel in their own ways. And this rebellion is completely disturbing, at times unnecessary, but all the same — completely addictive to read.

Marieke Lucas Rijneveld is a prize-winning young poet in the Netherlands, add this is their first novel. It won the international booker prize in 2020, and has since, sold many copies worldwide, after being translated from the original Dutch. 


What Makes the novel Disturbing and Discomforting? 

“Even though it will feel uncomfortable for a while, but according to the pastor, discomfort is good. In discomfort we are real.”

Just from reading the title, we know it’s going to be a strange and uncomfortable read. But I never thought it would be this weird. 

Jas, inevitably, is growing up and exploring her own sexuality — which in itself — is not strange. She documents this with a matter of fact style, evocative of a young child. However, this exploration of herself, and her own sexuality, get incredibly uncomfortable when it involves her brother (who was several years older) and her sister. 

The casualness to which incest is witnessed between two siblings, one 10, and the other in their early teens, is incredibly uncomfortable and disturbing. But, this is not where it stops. When the foot and mouth outbreak happens, a vet comes to the farm to try and help Jas’ father. As a grown man, he tries to groom Jas, a 10-year-old girl, right in front of her parents’ eyes. 

But this sexual discomfort and exploration don’t stop within the family. Jas invites her friend Beth over and her brother assaults her in the cowshed. Evidently, this novel aims to incite discomfort to demonstrate one family’s decay and how disorder can reign. I appreciate the intention — but the delivery using these examples — is unnecessary. 

But there are other disturbing elements — such as animal abuse. Jas shoves an ice cream scoop into the bottom of a cow, which is described viscerally and physically. She treats them with no respect for somebody who has grown up on a farm and developed a love of animals. But perhaps, this is the result of the prevailing family dynamic infiltrating all of her actions. 

Lastly, — Jas’ mother is evidently suffering from depression. She makes it clear to Jas, at one point, that she wants to die. The whole family walk on tiptoes around her but don’t attempt to comfort her, or help her in any way. I found this one of the most disturbing elements — it wasn’t one told with graphic imagery — but simmering beneath the surface. The casual dismissal of a mother in complete suffering was far more disturbing and uncomfortable than anything else. 


How the Style of the Book Feeds into this Discomfort 

Marieke Lucas Rijneveld writes vividly, and without limits. They do not shy away from patining a visceral and uncomfortable picture of death, incest or animal abuse. It’s plain and simple for the readers to witness and feel. 

The delivery and imagery created tunes automatically into this sense of discomfort, which could be executed with greater poignancy — if you removed the incest and animal abuse. 

The author draws upon what is obviously disturbing and uncomfortable, I found myself at times, finding it clunky, gimmicky and crying out for attention. 

Through the language, style and narration of certain disturbing events, Rijneveld paints a picture of one family who is on the verge of decay — just as their farm is crumbling around them. It portrays a disturbing account of youth, grief, suffering and everyday life but propels this to new — and often — unworthy heights. 

Fo me, the parts I found most disturbing were less obvious — such as Jas’ mother’s mental decline. More examples of this slow, subtle and simmering discomfort, for me, would have been more effective in displaying the novel’s message. Although certainly unique, I feel as if this novel falls short of what it aims to achieve, and potentially, eliminates a whole bunch of readers. 


Did it Deserve the Booker Prize? 

This novel was a bestseller in the Netherlands before it was translated into English and won the international booker prize in 2020. The author grew up in a strict, religious, Protestant household — which bears a significant resemblance to the one depicted in this novel. 

Rijneveld also experienced the loss of her own brother when she was 3 and this novel, in many ways, is an attempt to document how that impacts a family. 

“Either the family grows closer or it falls apart. As a child, I could see that ours was starting to fall apart.” — Marieke Lucas Rijneveld

In this respect — it’s aims and intentions are noteworthy, making it worth a read. It is a unique way of exploring grief, trauma and growing up within a troublesome family. Rijneveld style of writing makes the novel compelling and addictive. It will also alienate many readers who don’t want to subject themselves to reading about incest and animal abuse in their spare time. 

I can see why it got the Booker prize, but I wouldn’t say it necessarily deserved it — when considering what it was up against. However, as readers, we should remember that just because a novel wins the Booker prize or has critical acclaim, it doesn’t always mean it’s good or better than anything else. 

All in all — this gets a 3/5 for me, as it was a compelling read, which explored many difficult themes. I liked the writing style and can appreciate its execution and what it aimed to do — but I have problems with the disturbance levels portrayed in the novel. And I’m not sure that a mass market of readers would enjoy reading it. But perhaps, that was the point. 


Have you read The Discomfort of Evening, if so, what did you think? I would love to know.


This article was originally published on Medium.com.

Book Review: Knight in Paper Armor

“This is a country of immigrants. Hate it all you want, but immigration is America. I’m America, more than you’ll ever be.”


TW — This book and the following review contains topics relating to hate crimes, antisemitism, xenophobia, racism, violence, torture, suicide, sensory deprivation, traumatic injury/disability, the Holocaust, and emotional abuse.

Beth Shalom is the 93rd state of the 179 United States of America, which is the setting of this stunning work of dystopian fiction. In a place called Heaven’s Hole, a boy named Billy Jakobek has grown up in laboratories, at the hands of Caleb, the force behind the megacorporation, Thorne Century. Caleb’s motivation behind subjecting this boy to countless experimentation is that he’ll be able to harness his powers to create a new type of warfare — one that is “clean. Contained. Beautiful.”

In many ways, it is a world far away from our own — but not far enough away that we cannot see the influence of the contemporary world within every detail. Natalia Gonzalez, one of the main protagonists, is a rebellious young artist, and the daughter of Guatemalan immigrants, who falls in love with Billy as their paths cross. Living in Heaven’s Hole, Natalia regularly experiences the deprivation ensured by Thorne Century’s regime, as her family and community work within the factories that keep the regime running. Her world is one of poverty, deprivation, and an endless cycle of suffering. With an eye for creativity and a rebellious spirit, she hopes to one day break out of this cycle.

When these two character’s cross paths — their worlds collide. Together, they aim to bring down the megacorporation Thorne Century and strive to create a better world. But it is not that easy, defeating Caleb will be the biggest fight of all. This novel is entirely dystopian in feel, scope, and intent — but it contains elements of fantasy, science fiction and young adult themes — in being narrated by two teenagers who fall in love despite the crumbling world around them. However, it is also rooted in our world. It shines a light on the everyday xenophobia, antisemitism, class inequality and capitalist exploitation which is rife within the US — and the rest of the world.

Please note, a copy of this book was kindly gifted to me by the author, in exchange for an honest review.


About the Author

Nicholas Conley is a full-time writer — who has written for several publications such as Vox, The Huffington Post, The Jewish Reporter, Dictionary.com and others. He is also the author of four books, Knight in Paper Armour being his most recent one.

Nicholas is Jewish and a descendent of Ashkenazic refuges from Russia and Sephardic refugees who fled from the Spanish inquisition. On a personal level, he is a great believer in human rights, social justice, systemic reforms and living in a fairer world — for all.

“… we all share the same world. We’re all in this together. No matter what, we should do the best we can to take care of each other.” — Nicholas Conley 

You can find out more about Nicholas Conley via his website.


My review

Rating: 5 out of 5.
Image courtesy of Nicholas Conley

My first thought upon finishing this book was “wow” — it sounds cliché, but it is entirely accurate. Upon writing up my notes when I finished the book — there was no doubt in my mind that I was going to give this a 5/5, there’s simply nothing that I can fault. I am incredibly grateful to Nicholas for asking if I would like to review his book because it is not the kind of book I would have picked up myself.

So what did I like about this book?

Firstly — I found the ideas woven throughout this book utterly compelling — and could empathize with the struggles of Natalia Gonzalez because of her belief in a fairer society. Despite being a dystopian novel through and through, it draws upon many sentiments that we are currently dealing with globally in social, cultural, and political life. Thorne Century, the megacorporation which controls all the aspects of life for those who live in Heaven’s Hole, is, in a way, a metaphor for capitalism itself.

It crushes people’s ambition, perpetuates inequality just by existing, and fails to bring about a fairer way of life. Caleb, the perpetrator and manipulator of Billy Jakobek, is a power-hungry individual — who rules Heaven’s Hole for his own benefit. This is a vision of society that is divided along the lines of ethnicity, race, economic status and gender — thus, in many ways, it mirrors our world. However, this is a creative, dystopian state which provides enough fantasy to escape from our world.

Therefore — I resonated with this book because it felt current and there is so much to unpack. In many ways, it contains the classic element of good versus evil. Still, it is told with so many complexities that reading it, is enough to make you stop in your tracks and re-evaluate the world around you. 2020 has been dominated by American politics and the continuous systemic racism that lingers — and in this novel — it lays bear this influence within a unique, fast-paced and believable story.

As well as the ideas, I loved the characters and execution of this novel. I empathised with Natalia, who becomes somewhat of a revolutionary figure in the book with her opposition to Thorne Century, and I saw a lot of myself in her. She ardently believes that through a collective effort and vision, we can change the systems of oppression that ensnare us. As a character, she is also good-humoured and utterly likeable.

Billy Jakobek is a complex character who spends most of his time within a tank monitored by Caleb for the harnessing of his psychic abilities. He is subject to countless experiments and deprived of living in the real world — until he meets Natalia. Many themes in this novel also evoke the feeling of a classic coming of age story — but set amongst a dystopian state — it is truly original and enthralling.

The book is fast-paced, full of action and chops and changes between different character perspectives. It keeps you reading with every twist and turn, as you follow Billy and Natalia’s hopes of creating a better world. Crucially it also had a very satisfying ending which is essential for me when giving out five-star ratings. Often, if I give a book a 4-star rating, it will mean that I was left dissatisfied, but this is far from the case here. The ending to this whirlwind of a book was satisfying, heart-warming and convincing.

I would highly recommend this book to anyone who likes dystopian novels that distract you from the present, but also make poignant points about the way we live now. And importantly, the systems that dominate our world and perpetuate multiple forms of inequality. This book is endlessly captivating and provides us with an essential insight into our contemporary world.


For fans of dystopian novels and readers of fantasy and sci-fi, this is the perfect book. I went into it not knowing what to expect but came away utterly mesmerised.

Knights in Paper Armor was published in September 2020 and is available to buy in paperback or as an e-book on Amazon.


I regularly accept review requests, if you’re an author and would like me to review your book, please visit my contact page for more information or to get in touch.


Book Review: The Stone in My Pocket

Mysterious goings-on are filtered through this coming of age novel with unique twists and turns.


“Why would I want to read about the paranormal when I was living it?”

Overview

In the dead of night, Nathan Love suddenly hears a strange voice in his garden, accompanied by a shadowed figure watching over him. Immediately, his world is tinted with a sense of strangeness, that he cannot quite work out. 

After a visit to his local bookshop, Nathan soon ends up with a Saturday job there and finds himself apart of a spiritual circle group, led by the owner of the bookshop, Iris.

Nathan hopes that in joining this group, he will be able to uncover the mystery of the shadowed figure he saw in this bedroom. All of this, he keeps from his parents. After all, his mother is a devout Catholic and his father has always turned a nose up to his strange stories. 

Through a mixture of messages, spirits and realisations, Nathan is led to believe that the shadowed figure was a reincarnation of his Grandfather who recently passed away, and Nathan believes that he is trying to convey a message to the family.

Strange goings-on, struggles at school and difficulties with making friends make the experience of adolescence one that is fraught with difficulties. Nathan is not close with his parents and finds solace in his job at the bookshop and the friendships made within the circle group. But sooner rather than later, the strangeness and questions in his life will be uncovered.

Please note, a copy of this book was kindly gifted to me by the author, in exchange for an honest review.


About the Author

Matthew Keeley is the author of two novels, A Stone in My Pocket being the most recent, due to Covid related delays, this is now due to be published in early 2021 by The Conrad Press. His debut novel, Turning the Hourglass, was published in 2019. 

Whilst being a full-time author and writer, Matthew also teaches English to secondary school pupils. He likes to write within the realms of speculative fiction, magic realism and literary fiction.

You can find out more information about Matthew and the expected release of A Stone in My Pocket, via his website.


My Review

Rating: 4 out of 5.

First and foremost, what I loved about this book was the immediate hook. The mysterious figure seen in Nathan’s garden is enough to keep anyone reading. 

Immediately the reader has all sorts of questions “who is the figure?” “what is it doing here?” “what does this mean for Nathan and his family?” are just a few that crossed my mind in the first few pages. Being gripping from the start is always a good thing, but the result of the story was told in such a fast-paced and well-structured manner, that the remainder of the novel was never a disappointment.

Due to the initial hook — the rest of the story is spent trying to explain the mysterious happenings that occurred in Nathan’s garden and what this could mean. Nathan, the protagonist, aims to finds answers to this by joining a spiritual circle, where he truly immerses himself in the medium world.

Everything about the story contains an element of strangeness, from the eerie small-town setting to the use of a protagonist who never quite fits in -  this is a coming of age novel with unique twists and turns.

Nathan spends a considerable amount of time working in the bookshop where he also attends his circle meetings, which naturally appealed to me, as someone who also loves bookshops. There’s something special about a novel that heavily features all things bookish. 

Image via Uplash

The range of characters presented and how they are woven throughout the story to unravel the mysterious goings-on is impressive. 

Nathan as the protagonist is naturally flawed and a confused adolescent who has never really fit in with his peers or family. He is trying to navigate through his life and struggles with school as his mind is preoccupied with solving the strange goings-on that happened outside his bedroom window. I valued his perspective, and it was nice to delve into the mindset of a quirky adolescent — for once.

Iris, the owner of the bookshop, is also a fabulously crafted character who symbolises the sense of strangeness carried throughout the book. She is presented as almost a mother or grandmother figure to Nathan, who finds himself more and more detached from his parents as he tries to keep his activities within the circle group a secret.

The premise is alluring, and the delivery was very sophisticated with the crafting of interesting characters and a suspenseful plot. It had an explosive ending, which I shall not reveal, but all of Nathan’s secrets are suddenly exposed to his parents and everything unravels before his eyes. 

I found the ending to be quite abrupt, which I was slightly disappointed with, given the suspense carried throughout the story. In this way, the story could have benefited from tying up some loose ends. 

Overall, I enjoyed this novel despite it not being a story I would not normally turn to. I am not a massive lover of the supernatural, especially in fiction, but I was pleasantly surprised by this novel and ended up enjoying it. I liked the characters, premise, setting and sense of unrelenting strangeness that filtered throughout the story.


A coming of age novel with a sense of eerie strangeness. For lovers of the supernatural, magic realism and character-driven stories — this is a brilliant read from start to finish.

Many thanks to the author, Matthew Keeley for providing me with a free copy of this book


Originally published on Medium in Write and Review, [insert date]

Book Review: Togwotee Passage

For deep thinkers, lovers of the great outdoors and readers who value a character-driven story, this is an ideal read.


The world is facing many reckonings at the moment, but the one that unites all countries, cultures and continents across the world, is the real threat of climate change and human extinction. And this threat is something we have manufactured ourselves, through the repetitive cycle of human greed, overconsumption and the incessant materialist culture that is perpetuated by the capitalist framework.

Togwotee Passage has a very unique feeling and sense of unease carried with it, but always reminds the reader of the beauty of nature and how it’s relationship to us, as human beings, is more than essential. 

It tackles some of the greatest issues of our times, through the exploration of climate change, inequality, and materialism. It is a stark critique of the Western world and our mindset, told through the life and perspective of Calan, living in Wyoming in the 1940s, but feels very close to the present day.

Please note, a copy of this book was kindly gifted to me by the author, in exchange for an honest review.


About the Book

Literary Eco-Fiction, published in 2019. 

Calan flees his family life early on due to the upsets caused by growing up within a dysfunctional family, his father was a drunk and Calan was regularly exposed to his mistreatment of his mother. Due to this, he finds great solace in the outdoors and befriends Derek, a boy who lives on the Shoshone land.

Their friendship blossoms through a shared appreciation of the outdoors and their conversations reveal a deep and philosophical battle centred on the human relationship with nature and our problematic image as the dominant species. Together, they engage in important conversations centred on these issues, which causes readers to think about the world around us.

This book is character-driven, but the plot follows the course of Calan’s life over the years and his reckonings with the world as influenced by many conversations he had with his best friend. 

All of this is intertwined with beautiful descriptions of the natural world and Native American mythology. Through Calan’s relationship and time spent with Derek, the Shoshone Indian culture is revealed and paralleled with his traditional American upbringing. The reader learns about this Native American tribe, which is made up of around 8,000 people living in the Eastern Shoshone in Wyoming, and the many opposites and pitfalls of consumerist, American culture that they oppose.

It’s a book about nature, human selfishness, destruction and relationships all rolled into one. It causes the reader to think, re-assess and re-evaluate the power of the natural world.


About the Author

L. G Cullens is an author born and raised in western Wyoming, the United States. After beginning a career in civil engineering and computer sciences, in his fifties, he decided to pursue woodworking and has since taken up writing.

Cullens is passionate about the natural world and aims to spread awareness of it, which shines through in his book, Togwotee Passage.

To find more information about the author, or contact L.G Cullens, you can visit his website.


My Review

Rating: 4 out of 5.

As soon as I started reading this book I knew two things from the offset. I knew I would like it, and I knew it would be different from anything I have read. 

As a committed fan of literary fiction, the character-driven plot, executed by the protagonist, Calan, already appealed to me.

The story tracks the life of Calan as he navigates the great outdoors and forms a close friendship with Derek, a boy who lives on the Shoshone reservation. Through countless conversations, he learns about the pitfalls of the Western world and the dangers of an excessive materialist mindset and what this can do to our planet.

Through these conversations, and the raising of many philosophical questions to do with climate change, inequality, materialism and the purpose of humanity itself, Cullens exposes the many faults and imperfections at the heart of human life itself. It’s a sharp portrayal of the faults of our species and how our actions damage nature.

Intertwined throughout, are beautiful and charming descriptions of the outdoors, as Calan and Derek go on their many hikes and explore the mountains littered throughout the Wyoming landscape. 

As a lover of the outdoors myself, I couldn’t help but feel enchanted by these descriptions. I found these parts calming to read and Cullen’s words paint a picture of the Wyoming scenery that I am yet to be fortunate enough to explore.

Above all, this book is a deep exploration of someone’s inner thoughts and how they perceive the world around them. It is a plea to look back at nature and treat it with the respect it deserves, but also, a plea to divert from our current mindset and way of life, which is only self-destructing. The destruction of nature is a result of ongoing human selfishness which is at the heart of the story, explored through conversations between Calan and Derek.

Reading this was a pleasurable experience in itself, due to the stunning prose and character-driven plot, but it also caused me to think a great deal. This book reflects on the threat of climate change through the human path of greed, exploitation and capitalism which can overthrow the nature and beautify of the outdoors that we all know and love.

The only aspect of this book I struggled to contend with, was the ending. After documenting the course of Calan’s life thoroughly through the decades, I found the final few chapters confusing and felt like there was no definitive endpoint. I got a bit lost and struggled to see how Calan’s story ended, however, this is a very minor point and may have been missed by my misinterpretation.

You can purchase a copy of the book here


Final Thoughts

For deep thinkers, lovers of the great outdoors and readers who value a character-driven story, this is an ideal read and one I enjoyed immensely. My many thanks go to L.G Cullens for providing me with a copy of this book.

“I ask you who’s the more primitive, a culture that believes in respectful coexistence with the natural world that sustains us all, or a culture that is rife with selfish, material greed to the point of trashing this little blue canoe our children will need to get by in?” 

L.G Cullens, 36.

Originally published on Medium in Write and Review, 22 October, 2020.

Book Review: Such a Fun Age

It has been a while since I’ve posted, but after spending lots of time trying to eek this out for as long as possible, I’m back with a review of Such a Fun Age by Kiley Reid, which was longlisted for the 2020 Booker Prize. It was the only book on the list that I liked the sound of – and it by far exceeded my expectations.

Such a Fun Age, Kiley Reid (2019)

Coming of Age/Fiction

Synopsis (Goodreads)

“In the midst of a family crisis one late evening, white blogger Alix Chamberlain calls her African American babysitter, Emira, asking her to take toddler Briar to the local market for distraction. There, the security guard accuses Emira of kidnapping Briar, and Alix’s efforts to right the situation turn out to be good intentions selfishly mismanaged.”

The Review

Rating: 5 out of 5.

It’s been a long time since I’ve read a book that feels so close to our current moment. 

Kiley Reid provides, “a beautiful tale of how we live now” (Elizabeth Day). The story is nestled in the city of Philadelphia, and draws upon the social and racial injustices at the heart of modern, American society, through the young, black protagonist, Emria.  

The story alternates between the perspective of Emira and Alix, a white middle-class blogger. They are worlds apart but are brought together by Alix’s employment of Emira as a babysitter for her daughter, Briar. This dual perspective Reid uses allows the two polar experiences of class and race to be played off against each other, which illustrates the existence of Alix’s inherent privilege and mistreatment of Emira. 

Alix struggles to see why her treatment of Emira is problematic, despite making her wear a uniform and her history of only employing black childminders. It’s almost as if she thinks by having a black babysitter, she is doing her bit. Emira is half aware of all this, and it is her boyfriend, Kelley that exposes it more blatantly. But Emira loves looking after Briar and doesn’t want to break that bond between them. And also, the job is a lifeline, in just keeping her above the water. It takes her a while to confront these microaggressions – but the best thing of all, is that she eventually triumphs. 

The novel also looks at the influence of race in relationships. Emira meets Kelley during the incident with the police and then once again on the subway, and they hit it off immediately. But there are many differences between them, and these are explored by drawing upon their relationship,

“Emira had dated one white guy before, and repeatedly hooked up with another during the summer after college. They both loved bringing her to parties, and they told her she should try wearing her hair naturally. And suddenly, in a way they hadn’t in the first few interactions, these white men had a lot to say about government-funded housing, minimum wage, and the quotes from Martin Luther King Jr.”

Reid eloquently raises the potential fetishisation of race in relationships through the perspective of Emira and her group of friends. Emira and Kelley’s relationship is topsy turvy but explored in such a human and real way, that it’s hard not to be drawn in by it. Additionally, through their relationship Reid explores the issue of microaggressions – forms of indirect or subtle forms of racism that can often go unnoticed. There’s a performative element to the type of equality Kelley tries to portray in his social standing and worldview, that doesn’t go unrecognized by Emria,

“Like… I get it, you have a weirdly large amount of black friends, you saw Kendrick Lamar in concert, and now you have a black girlfriend…great.”

Emira

As a white, privileged person, this strikes a chord and left a profound effect on the way I perceive race, and how it influences class and relationships. It is written in a way that makes it embody the current moment. It illustrates the simmering and overt racism that exists within American society, and the small acts of unintentional racism that can go unnoticed. 

Reading this made me laugh, cringe, feel angry, and annoyed all at the same time, but one thing for sure – it touched me completely. I fell in love with Emria’s ballsy personality and sense of determination. Reid provides the reader with characters who come alive through the pages and makes you feel something, and that is the greatest gift a writer can have – I can’t believe this is a debut novel and feel excited at the prospect of Reid writing more in the future. 

This is sharp, witty, well-executed and grips you right from the start – there’s simply no messing about. I would describe it as a millennial coming of age story that combines the important, intertwining messages of class, race, privilege and how to navigate this within families and relationships.


Like many others, I am still learning about the best ways to talk about race. As always, If you think I need to phrase something differently or I’ve said something out of line – please let me know. I won’t take offence but will be thankful you have pointed it out.